{"version":"1.0","provider_name":"Department of English","provider_url":"https:\/\/site.nord.no\/englishatnord","author_name":"Heather McKendry","author_url":"https:\/\/site.nord.no\/englishatnord\/author\/heather\/","title":"Bookshelf: The Affirmative Discomforts of Black Female Authorship - Department of English","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"iAutK6bBLi\"><a href=\"https:\/\/site.nord.no\/englishatnord\/bookshelf\/affirmative-discomforts\/\">The Affirmative Discomforts of Black Female Authorship<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/site.nord.no\/englishatnord\/bookshelf\/affirmative-discomforts\/embed\/#?secret=iAutK6bBLi\" width=\"600\" height=\"338\" title=\"&#8220;The Affirmative Discomforts of Black Female Authorship&#8221; &#8212; Department of English\" data-secret=\"iAutK6bBLi\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script>\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/site.nord.no\/englishatnord\/wp-includes\/js\/wp-embed.min.js\n<\/script>\n","thumbnail_url":"https:\/\/site.nord.no\/englishatnord\/wp-content\/uploads\/sites\/24\/2024\/09\/affirmative-discomforts.jpg","thumbnail_width":315,"thumbnail_height":473,"description":"In\u00a0The Affirmative Discomforts of Black Female Authorship: Rethinking Triple Consciousness in Contemporary American Culture, Nahum Welang rethinks this methodology by examining an interesting assemblage of contemporary black female authors (Roxane Gay, Beyonc\u00e9 and Issa Rae) across four disciplines (history, literature, music and television) whose contemporary multimedia works are engaging with a third lens the author conceptualizes as rupture."}